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Documentary Culture and the Making of Medieval English Literature Steiner

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Documentary Culture and the Making of Medieval English Literature

Emily Steiner describes the rich intersections between legal documents and English literature in the fourteenth and fifteenth centuries.

Emily Steiner (Author)

9780521824842, Cambridge University Press

Hardback, published 29 May 2003

286 pages

22.9 x 15.2 x 2.1 cm, 0.59 kg

\""[T]his attentive and intriguing study will appeal to those interested in legal documents in relaion to medieval literature and cultures. Recommended.\""

Choice

Emily Steiner describes the rich intersections between legal documents and English literature in the fourteenth and fifteenth centuries. The literature of this period, from Passion lyrics to Lollard sermons, abounds in documentary language and metaphors. Steiner argues that documentary culture (including charters, testaments, patents and seals) enabled writers to think in new ways about the conditions of textual production in late medieval England. She explains that the]

Documentary Culture and the Making of Medieval English Literature Steiner

Documentary Culture and the Making of Medieval English Literature

Emily Steiner describes the rich intersections between legal documents and English literature in the fourteenth and fifteenth centuries.

Emily Steiner (Author)

9780521824842, Cambridge University Press

Hardback, published 29 May 2003

286 pages

22.9 x 15.2 x 2.1 cm, 0.59 kg

\""[T]his attentive and intriguing study will appeal to those interested in legal documents in relaion to medieval literature and cultures. Recommended.\""

Choice

Emily Steiner describes the rich intersections between legal documents and English literature in the fourteenth and fifteenth centuries. The literature of this period, from Passion lyrics to Lollard sermons, abounds in documentary language and metaphors. Steiner argues that documentary culture (including charters, testaments, patents and seals) enabled writers to think in new ways about the conditions of textual production in late medieval England. She explains that the]

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