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A Philosophy of Cinematic Art Gaut Hardback Cambridge University Press
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Product Description
A Philosophy of Cinematic Art
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Berys Gaut (Author)
9780521822442, Cambridge University Press
Hardback, published 14 January 2010
340 pages
23.5 x 15.5 x 2 cm, 0.66 kg
'\u2026 [one of] the most important publications on the topic \u2026 will provide theoretical groundwork for analytically inclined film students for a long time \u2026' Szil\u00E1rd Orosz, Hungarian Journal of English and American Studies
A Philosophy of Cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of iden]
A Philosophy of Cinematic Art Gaut Hardback Cambridge University Press
A Philosophy of Cinematic Art
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Berys Gaut (Author)
9780521822442, Cambridge University Press
Hardback, published 14 January 2010
340 pages
23.5 x 15.5 x 2 cm, 0.66 kg
'\u2026 [one of] the most important publications on the topic \u2026 will provide theoretical groundwork for analytically inclined film students for a long time \u2026' Szil\u00E1rd Orosz, Hungarian Journal of English and American Studies
A Philosophy of Cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of iden]
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