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Bakhtin and the Visual Arts Haynes Hardback Cambridge University Press

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Bakhtin and the Visual Arts

This 1995 volume assesses the relevance of Mikhail Bakhtin's ideas as they relate to the visual arts.

Deborah J. Haynes (Author)

9780521473927, Cambridge University Press

Hardback, published 30 November 1995

238 pages

26.1 x 18.3 x 2 cm, 0.86 kg

Review of the hardback: 'Haynes has raised enough questions here to confirm that the work of the Bakhtin circle will provide one crucial resource for a more satisfactory understanding of the artist and the related but distinct problem of social action.' Oxford Art Journal

Bakhtin and the Visual Arts assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. First published in the 1960s, Bakhtin's writings introduced the concepts of carnival and dialogue or dialogism, which have had significant impact in such diverse fields as literature and literary theory, philosophy, theology, biology and psychology. In his four early aesthetic essays, written between 1919 an]

Bakhtin and the Visual Arts Haynes Hardback Cambridge University Press

Bakhtin and the Visual Arts

This 1995 volume assesses the relevance of Mikhail Bakhtin's ideas as they relate to the visual arts.

Deborah J. Haynes (Author)

9780521473927, Cambridge University Press

Hardback, published 30 November 1995

238 pages

26.1 x 18.3 x 2 cm, 0.86 kg

Review of the hardback: 'Haynes has raised enough questions here to confirm that the work of the Bakhtin circle will provide one crucial resource for a more satisfactory understanding of the artist and the related but distinct problem of social action.' Oxford Art Journal

Bakhtin and the Visual Arts assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. First published in the 1960s, Bakhtin's writings introduced the concepts of carnival and dialogue or dialogism, which have had significant impact in such diverse fields as literature and literary theory, philosophy, theology, biology and psychology. In his four early aesthetic essays, written between 1919 an]

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