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Conrad on Film Moore Paperback Cambridge University Press 9780521026796

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Conrad on Film

An illustrated study of more than eighty film and video adaptations of the life and work of Joseph Conrad.

Gene M. Moore (Edited by)

9780521026796, Cambridge University Press

Paperback / softback, published 2 November 2006

280 pages

22.8 x 15.2 x 2 cm, 0.43 kg

This book offers the first comprehensive, international survey of more than eighty films and videos based on the life and work of Joseph Conrad. Essays by leading film and literary scholars examine the films, both in the context of film history and technology, and in terms of the theoretical and practical problems facing directors - including Alfred Hitchcock, Orson Welles, Francis Ford Coppola and Andrzej Wajda - who have attempted to put Conrad on film. Conrad was the first major English author to adapt his work for the screen, and the story of his unpublished 'film-play' is told in an important chapter. The challenges of finding visual analogues for Conrad's narrative irony and filmic equiva]

Conrad on Film Moore Paperback Cambridge University Press 9780521026796

Conrad on Film

An illustrated study of more than eighty film and video adaptations of the life and work of Joseph Conrad.

Gene M. Moore (Edited by)

9780521026796, Cambridge University Press

Paperback / softback, published 2 November 2006

280 pages

22.8 x 15.2 x 2 cm, 0.43 kg

This book offers the first comprehensive, international survey of more than eighty films and videos based on the life and work of Joseph Conrad. Essays by leading film and literary scholars examine the films, both in the context of film history and technology, and in terms of the theoretical and practical problems facing directors - including Alfred Hitchcock, Orson Welles, Francis Ford Coppola and Andrzej Wajda - who have attempted to put Conrad on film. Conrad was the first major English author to adapt his work for the screen, and the story of his unpublished 'film-play' is told in an important chapter. The challenges of finding visual analogues for Conrad's narrative irony and filmic equiva]

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